Oct 8 Oct 8 Too-ra-loo Indeed: Common Tone AND Diatonic Pivot Modulation in Dexys Midnight Runners' "Come on Eileen" Emily Langerholc modulation
Aug 24 Aug 24 A Fine Line to Walk: Direct Modulation (Repeatedly) in Johnny Cash's "I Walk the Line" Emily Langerholc modulation
Aug 22 Aug 22 Nothing But Key Changes: Flattened Submediant & Direct Modulation in Whitney Houston's "I Have Nothing" Emily Langerholc modulation
May 30 May 30 Adding to the Original: Deceptive (???) Modulation & Cadential Extension (???) in Kirsty MacColl's "A New England" Emily Langerholc modulation, cadence
May 18 May 18 Traveling Key Changes: Two Altered Common Chord Modulations in Oasis's "All Around the World" Emily Langerholc modulation
May 17 May 17 Give in to the Gear Shifts: Direct Modulation in Cheap Trick's "Surrender" Emily Langerholc modulation
Dec 26 Dec 26 Open to Change in a Well-Worn Tale: Minor to Major Modulation in Tom Petty's "Into the Great Wide Open" Emily Langerholc modulation
Nov 9 Nov 9 Extremely Early Warning: Direct Modulation in The Breeders' "Cannonball" Emily Langerholc modulation
Sep 1 Sep 1 Your Favorite 90s Key Change?: Diatonic Pivot Modulation in the Backstreet Boys' "I Want It That Way" Emily Langerholc modulation
Jul 24 Jul 24 The 80s in One Key Change: Direct Modulation in Starship's "Nothing's Gonna Stop Us Now" Emily Langerholc modulation
Apr 1 Apr 1 The Forbidden Key Change: Direct Modulation in Sisqo's "Thong Song" Emily Langerholc modulation
Mar 31 Mar 31 More Than Halfway There: Common Tone/Flattened Submediant Modulation in Bon Jovi's "Livin' on a Prayer" Emily Langerholc modulation
Mar 30 Mar 30 We Leaving This Key or What?: Direct Modulation in Hall & Oates's "She's Gone" Emily Langerholc modulation
Mar 28 Mar 28 Topping Out with Key Changes: Direct Modulation (Multiple Times!) in Beyoncé 's "Love On Top" Emily Langerholc modulation
