Feb 20 Feb 20 Direct (???) Modulation & Symmetrical Compound Meter in Queen's "We Are the Champions" Emily Langerholc meter, modulation
Oct 3 Oct 3 Direct Modulation and Symmetrical Compound Meter in The Zombies' "This Will Be Our Year" Emily Langerholc meter, modulation
Aug 9 Aug 9 From Harried to Hopeful: Minor to Major Key Change in Fastball's "The Way" Emily Langerholc modulation
Jul 25 Jul 25 Not at All the Change You Expect: Minor to Major Modulation in Ace of Base's "The Sign" Emily Langerholc modulation
Jul 21 Jul 21 Uncertainty Emerges in a New Key: Chromatic Pivot Modulation (maybe?) in XTC's "Senses Working Overtime" Emily Langerholc modulation
Jul 13 Jul 13 Key Change in Prayer Form: Direct Modulation in Stevie Wonder's "Heaven Is 10 Zillion Light Years Away" Emily Langerholc modulation
Jul 12 Jul 12 A Muddier Move: Common Tone Modulation in Todd Rundgren's "Hello, It's Me" Emily Langerholc modulation
Jul 11 Jul 11 A Gentle Gear Shift: Direct Modulation in The Carpenters' "(They Long to Be) Close to You" Emily Langerholc modulation
Jul 5 Jul 5 A Preview, Then a Change: Flattened Submediant Modulation in the Beach Boys' "Wouldn't It Be Nice?" Emily Langerholc modulation
May 10 May 10 Classic Teaching Example: Direct Modulation and Descending Major Sixth in Michael Jackson's "Man in the Mirror" Emily Langerholc modulation, intervals
Apr 28 Apr 28 Changing Moods & Modes: Minor to Major Modulation (and Picardy Third) in The Turtles' "Happy Together" Emily Langerholc modulation
