Feb 11 Feb 11 Bringing Love Back to Life: Picardy Third (and Symmetrical Compound & Changing Meter) in Seal's "Kiss from a Rose" Emily Langerholc
Jan 22 Jan 22 A Prime Example of an “Odd” Meter: Asymmetrical Compound Meter in Primus's "Eleven" Emily Langerholc meter
Jan 16 Jan 16 That Leading Tone, Though: Ascending Minor Second in Young the Giant's "Simplify" Emily Langerholc intervals
Dec 30 Dec 30 An Absolute Aeolian Anthem: Aeolian Mode in Kendrick Lamar & The Weeknd's "Pray for Me" Emily Langerholc modes
Oct 8 Oct 8 Too-ra-loo Indeed: Common Tone AND Diatonic Pivot Modulation in Dexys Midnight Runners' "Come on Eileen" Emily Langerholc modulation
Sep 7 Sep 7 A Meme-ified Motif: Descending Major Second in Rebecca Black's "Friday" Emily Langerholc intervals
Sep 6 Sep 6 A Rolling Amen: Ascending Perfect Fourth Interval & Aeolian Mode in Adele's "Rolling in the Deep" Emily Langerholc intervals
