Jun 11 Jun 11 Minor Key Apocalypse: Aeolian Mode & Cross-Rhythms (?) in Britney Spears's "Til the World Ends" Emily Langerholc modes, cross rhythms
May 30 May 30 Adding to the Original: Deceptive (???) Modulation & Cadential Extension (???) in Kirsty MacColl's "A New England" Emily Langerholc modulation, cadence
May 18 May 18 Traveling Key Changes: Two Altered Common Chord Modulations in Oasis's "All Around the World" Emily Langerholc modulation
May 17 May 17 Give in to the Gear Shifts: Direct Modulation in Cheap Trick's "Surrender" Emily Langerholc modulation
Apr 12 Apr 12 Subdivision in Synths: Symmetrical Compound Meter in INXS's "Never Tear Us Apart" Emily Langerholc meter
Apr 10 Apr 10 Slow Symmetry, Easily Countable: Symmetrical Compound Meter in A Great Big World's "Say Something" Emily Langerholc meter
Apr 5 Apr 5 Moving Meter Like a Flickering Flame: Changing, Symmetrical & Asymmetrical Simple Meter in Sonic Youth's "Candle" Emily Langerholc meter
Jan 31 Jan 31 Don't Trip on the 3/4 Measure: Changing Meter in Blondie's "Heart of Glass" Emily Langerholc meter
Dec 26 Dec 26 Open to Change in a Well-Worn Tale: Minor to Major Modulation in Tom Petty's "Into the Great Wide Open" Emily Langerholc modulation